This site is dedicated to everyone interested in Serge Modular Music Synthesizers

EQ Shift - $1,700 USD


Features and Notes

Resonant Equalizer (EQ)

The RESONANT EQUALIZER (EQ) is a unique ten-band filter designed specifically for electronic sound synthesis and processing. Except for the top and bottom frequency bands, all other bands are spaced at an interval of a major seventh. This non-standard spacing avoids the very common effect of an accentuated resonance in one key, as will be the effect from graphic equalizers with octave or third-octave spacing between bands. Spacing by octaves will reinforce a regular overtone structure for one musical key, thereby producing regularly spaced formants accenting a particular tonality. The Resonant Equalizer's band spacing are much more interesting, producing formant peaks and valleys that are similar to those in acoustic instument sounds.

There are three equalized outputs, two which mix the alternate filter bands, and one which is a mix of all filter bands. The upper "COMB" outputlet passes the outputs of frequency bands at 61 Hz, 218 Hz, 777 Hz, 2.8Khz, and 11 Khz. The lower "COMB" output mixes the other bands (29,115,411,1.5K,5.2K).

This equalizer is different from other equalizers in that the bands can be set to be resonant. When the knobs are in the middle position, the response at the main EQ Output is flat. When the knobs are positioned between the 9 and 3 o'clock position, up to 12 db of boost or cut is set at the band. If the knob is set beyond the 3 o'clock position, the band will become resonant, simulating the natural resonance of acoustic instrument formant structures. Below the 9 o'clock position, increased band rejection is achieved.

Dual Phase Shifter (2PHA)

[NOTE: the following description is for the single PHA module, which differs somewhat from the 2PHA.]

The VC Phaser (PHA) is perhaps the lowest noise and lowest distortion phase shifter available today. As an aid to recreating some of the subtle properties of phase delay in acoustic sounds, three separate outputs are provided with 360 degree, 720 degree, and 1080 degree of voltage controllable phase shift. A MIX output combines the 1080 degree phase shift with the input signal to produce the multiple notch filter effect that is usually associated with phase shifters. The VC Phaser's log-conforming characteristics and the manual and voltage controls enable ultra-smooth, precisely centered sweeps of phase shift for both spatial effects and timbral modification. For high-density systems. a 2'' DUAL PHASER (2PHA) is available.

Cross-Fader (XFAD)

The CROSS-FADER (XFAD) is an equal-power cross fade unit. The module has two signal inputs. As one signal increases in level at the output under manual or voltage control, the other signal decreases in level at the output. This effect is used to accurately fade one sound in while fading another out. Cross-fading with voltage control permits a smooth transformation between two different timbres. If a sound and its reverberated image (available with the Wilson Analog Delay) are sent through the cross-fader, the reverb mix can be voltage controlled. This effect can be used to modify the spatial characteristics of a sound event, from immediate presence to distant ambience. In addition to the cross-fade function, a VCA controls the output amplitude.

Thanks to Ty Hodson for pulling M-Class module information together from various sources. Other references include "Introduction of the Serge Modular Music System" by Rich Gold, Darrel Johansen, and Marina LaPalma
 ASR Quan  Audio Matrix Mixer
 Audio Interface  Control Generator
 Bi-Filter  CV Matrix Mixer
 Creature  CV Processor
 Dual NTO  Dual ADSR
 Dual 'Q' Filters  Dual Oscillator
 Gator  EQ Shift
 Klangshifter  Hex VCA Mixer
 Mayhem  Klangzeit
 Sequencer-A  Multi Filter
 Stereo Mixer  SQP Sequencer
 Triple Oscillator  Quad Slope
 Wilson Analog Delay  Wave Processor